All Cambridge University Libraries courses

You own your own research right? Well it depends...

This session will explore the sometimes complicated world of copyright and what can happen when publishing work through formal routes such as journals or through more informal routes such as pre-print servers. The session will also introduce concepts such as third party copyright and rights retention, as well as how licensing tools such as Creative Commons can be used to not only help maximise the reach of research but also navigating reusing other people's work.

In November 2021 UNESCO announced a Recommendation on Open Science to be adopted by member states. The Recommendation aims to define shared values and principles for open research and outline proposals to help facilitate the dissemination of research results to a wide audience.

As part of our Research Roundup series we will be holding a virtual brown bag lunchtime discussion on the Recommendation and what it could mean for local practice at Cambridge. Join us via Teams for an informal exploration of the Recommendation and share your thoughts with colleagues.

If you have any specific questions or areas you would like to discuss in the session please email Claire Sewell (ces43@cam.ac.uk) prior to the session.

Resources: UNESCO Recommendation on Open Science. You may also like to watch this webinar recording of a session on recommended actions for publishers to take regarding the Recommendation.

Most people have online profiles and, as a researchers, your online presence offers many rich opportunities. It is helpful to be aware of tools and tips that can help you boost your visibility online, as well as common mistakes to avoid.

In this course, you will:

• begin to develop your online research profile by making yourself visible to others in a way(s) that suits you.
• learn what an ORCID is and how to obtain one.
• learn what your Symplectic Elements account is for and begin to make it work for you
• review your current visibility and consider the next steps

You will receive the URL for the course in the confirmation email after booking.

Narrative CVs provide space for candidates to elaborate on their contributions to the research community that go beyond traditional outputs such as publications. The hope is that, by encouraging candidates to provide evidence for, and selection panels to consider, qualities that promote good research cultures, such as open research practice, we will start to select candidates who demonstrate this in addition to their traditional research contributions. What does this mean for researchers at Cambridge? This session will introduce some of the current formats of narrative CVs being used or considered by funding bodies in the UK and Europe and the implications for researchers, and recruiters and selectors of researchers who might use them. Since the format is still very much under development in the sector, the session will provide an opportunity for participants to discuss and feed back on what they see as the benefits and challenges of narrative CVs. The workshop leaders will feed the outcome of this session into relevant discussions happening nationally around the development and adoption of narrative CVs.

From fair dealing to sharing your research online it seems that nothing with copyright is ever simple. There are few black and white rules about copyright but there can be serious consequences for getting things wrong! This session will cover the basics of UK copyright law and how these impact researchers such as dealing with third party materials, seeking permissions and how to manage risk.

Please note: This session will be offered, either online or in person, in Michaelmas, Lent and Easter terms.

Copyright law is a complex field with direct relevance for researchers who need to protect their own intellectual work and use work written by others, and most importantly must avoid accidentally infringing copyright. This course provides you with basic knowledge you can apply to your research practice.

The course covers:

• fundamentals of copyright and why it’s important
• what to do if you want to use someone else’s work
• how to protect and share your own work
• how licenses can be used to make it easier to reuse works

You will receive the URL for the course in the confirmation email after booking.

"Copyright, Plagiarism, and all that jazz" is an introduction to real world music copyright. Music copyright can be complex and confusing, but by the end of this course, you will have a better idea of its benefits, and what copyright can do for you as a musician, as well as a clearer idea of what you can and can't do with regard to music copyright. The course deals primarily with sheet music, but also looks briefly at rights in audio and visual material, and copyright infringement's close cousin plagiarism. Looking at day to day problems, all of which have arisen at the UL, the session lasts for about an hour.

We also look at HEPML, a game changer for staff and students in what it allows you to copy and use. It provides a musical equivalent to the CLA licence; but what difference does it really make? And how do you use it? Come along to find out more.

This session will help researchers explore academic literature through discussing key skills such as critical evaluation, structural reading, effective note-taking, and getting started with writing.

Ever wondered what lies behind the scenes of the Music Department at the UL? Following a quick tour of the open stacks, Music Department staff will take you to delve into the odd architecture of South Court, say hello to our elephants, meet some of our rarest and tiniest books, and discover why music librarians sometimes need to be good detectives. There’ll also be a guide to finding music, for those who haven’t used our card catalogues before.

This session is designed for anyone who would like to learn more about how to read academic literature. This hour long workshop explores reading techniques, article structures and productive reading, while also providing techniques you can use to tackle your weekly readings.

Learning critical reading skills is a useful way to make better notes from what you have read and can help you to organise and plan what you read. This session will help you to put these skills to good use and become more confident at reading academic literature.